I have been pulling this disc out a LOT lately. This has to be one of my favorite 'non-mainstream' (in other words, not Yes, Genesis, ELP, Crimson, etc...) prog releases. I'm kind of amazed that England didn't go on to do a whole lot more, but then again, I guess they were coming in sort at the end of the genre's popularity (1977).
While their sound is clearly influenced by a lot of the 'bigger' names from the UK, they really have their own sound and put their own stamp on it. Some progressive bands of course borrowed so heavily that they just ended up sounding like a bad copy of the bands who influenced them. Definitely not the case here. I hear the spirit of a lot of the classic 70s British prog, but this album is really pretty unique. To me it feels a bit like the 'lost album' of some band that you always hoped was out there, except in this case it's not by any of the bands you would expect...and it makes me scratch my head and wonder "where did these guys come from?"
The songs are intricate but tuneful, musically interesting but never to the point of over-complication just for the sake of it. Lots of strong melodies and hooks that really stay with you. The songs build nicely and have a real sense of drama, without going overboard. The playing by all the musicians is spot-on perfect. Personnel is: Martin Henderson (bass & vocals), Franc Holland (guitar & vocals), Robert Webb (keyboards & vocals), and Jode Leigh (percussion, vocals & bass). And Mellotron lovers, rejoice! There is plenty here for you.
"Three Piece Suite" is a highlight for me, but there is really not a bad track on the album. I'd also like to mention "Yellow" which is a beautiful ballad, and provides a nice break from some of the high-energy music on the rest of the album. I can't recommend this recording highly enough. If you are a fan of Yes and Genesis but consistently find yourself disappointed with the "clones," this is the album for you.
Friday, May 1, 2009
England - Garden Shed
Labels:
england,
franc holland,
genesis,
jode leigh,
martin henderson,
robert webb,
yes
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I think by 1977 if you started a prog band in England (or the US), all the punks would make fun of you and beat you up. At least by '79...
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